Jumat, 30 Januari 2015

[Z732.Ebook] Get Free Ebook Beginning Java Game Development with LibGDX, by Lee Stemkoski

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Beginning Java Game Development with LibGDX, by Lee Stemkoski

Beginning Java Game Development with LibGDX covers the design and creation of video games using the Java programming language, with the LibGDX software library. By reading this book, you will learn how to design video games and how to build them in Java. You will be able to create your own 2D games, using various hardware for input (keyboard/mouse, gamepad controllers, touchscreen), and create versions of your games for desktop computers and Android tablets.

The LibGDX library facilitates the game development process by providing pre-built functionality for common tasks. It is a free, open source library that includes full cross-platform compatibility, so programs written using this library can be compiled to run on desktop computers (Windows/Mac OS X), web browsers, and smartphones/tablets (both Android and iOS).

Beginning Java Game Development with LibGDX teaches by example with five game case study projects that you will build throughout the book. This ensures that you will see all of the APIs that are encountered in the book in action and learn to incorporate them into your own projects. The book also focuses on teaching core Java programming concepts and applying them to game development.

What you’ll learn
  • How to use the LibGDX framework to create five 2D arcade game case studies
  • How to compile your game to run on multiple platforms, such as iOS, Android, Windows, and MacOS
  • How to incorporate different control schemes, such as touchscreen, gamepad, and keyboard
Who this book is forYou should have an introductory level knowledge of basic Java programming. In particular, you should be familiar with: variables, conditional statements, loops, and be able to write methods and classes to accomplish simple tasks. This background is equivalent to having taken a first-semester college course in Java programming. Examples of intermediate-level Java topics that you will learn from this book include: data structures (lists, iterators, and dictionaries), exception handling, abstract classes, inner classes, and event-driven programming. You will also see software engineering practices in context, such as code refactoring, iterative development, and the creation of debugging features.

  • Sales Rank: #1415789 in eBooks
  • Published on: 2016-01-27
  • Released on: 2016-01-27
  • Format: Kindle eBook

About the Author
Lee Stemkoski is a professor of computer science and mathematics. He has been teaching Java Programming and Video Game Programming for the past five years. He has authored many scholarly articles as well as game development tutorials.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Clean Introduction to LibGDX but.. just on desktop?
By Riccardo Audano
If you are looking for a clean and easy to follow introduction to LibGDX or just a fun way to practice your Java programming skills, well this book could represent a good opportunity, notwithstanding its shortcomings.
First, the good parts: presentation style is very clear and clean, it shows the author's many years of teaching experience and it 's completely example driven. By the end of the book you will have written or at least understood how to write a few little 2D "demo" games, simple enough to be interesting but not overwhelming. Another strong point is that the author gradually builds a framework to simplify the development of his games, but not ,as other books do, hiding complex and interesting things behind a "black box" library, but developing base classes that factor reusable code and functionality.
As for the shortcomings, well first of all the code download accompanying the book is missing the code for chapter 8 , on 3D. Sure, it s' just one chapter, but a pretty interesting one, and besides I find it very unprofessional to publish a book with such "holes" in it.
Also, the explanations in the book are quite good in general, but occasionally you will see the author skimp on some interesting details or code, be it because he' s unfamiliar with it himself or just being superficial or lazy. And please, since the major strength of libGDX is being cross platform, and in particular useful on Android, do develop and present your games in a cross platform way, or your readers and learners will miss on such a precious feature.
Finally, while the high lever structure of code is very nice and clear, suggesting a very strong programming background, quite a few style details in his Java code could be a hint that the author's acquaintance with Java might be a bit recent or just superficial and oh, the choice of BluJ as a development environment is just dementedly academical...

1 of 1 people found the following review helpful.
Outstanding LibGDX book!
By Nuttapong Phisitbutr
Pros:
-very clear and easy to understand.
-very informative about libgdx.
-recall java programming concepts.
-less errors.

Cons:
-last chapter's source code from Apress.com is lost. (therefore, I've searched the name of the book in google and downloaded last chapter source code from that link)

sorry for my bad english. ^____^

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Kamis, 29 Januari 2015

[N241.Ebook] Download PDF Business Secrets of the Trappist Monks: One CEO's Quest for Meaning and Authenticity (Columbia Business School Publishing), by August Tura

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Business Secrets of the Trappist Monks: One CEO's Quest for Meaning and Authenticity (Columbia Business School Publishing), by August Tura

August Turak is a successful entrepreneur, corporate executive, and award-winning author who attributes much of his success to living and working alongside the Trappist monks of Mepkin Abbey for seventeen years. As a frequent monastic guest, he learned firsthand from the monks as they grew an incredibly successful portfolio of businesses.

Service and selflessness are at the heart of the 1,500-year-old monastic tradition's remarkable business success. It is an ancient though immensely relevant economic model that preserves what is positive and productive about capitalism while transcending its ethical limitations and internal contradictions. Combining vivid case studies from his thirty-year business career with intimate portraits of the monks at work, Turak shows how Trappist principles can be successfully applied to a variety of secular business settings and to our personal lives as well. He demonstrates that monks and people like Warren Buffett are wildly successful not despite their high principles but because of them. Turak also introduces other "transformational organizations" that share the crucial monastic business strategies so critical for success.

  • Sales Rank: #439457 in Books
  • Published on: 2015-04-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .60" w x 5.90" l, .70 pounds
  • Binding: Paperback
  • 200 pages

Review
I truly believe this book will improve not only your business but your life. Read it. Apply what you learn and then, in keeping with the very spirit of the book, pass it on to someone else. (Michael Keaton, actor)

Business Secrets of the Trappist Monks is an eye-opening read. August Turak delivers a timely, insightful message about the power of purpose and the surprising ways that service can fuel success. The engaging narrative―which is grounded in Turak's rich, diverse experiences as an entrepreneur, corporate executive, and monastic guest―paints a picture of a path to profits that is both pioneering and provocative. (Adam Grant, author of Give and Take: A Revolutionary Approach to Success)

This book is both quietly provocative and groundbreaking. With great simplicity, August Turak unlocks these monastic 'secrets' that go to the core of succeeding in an economic era in which authenticity and passion have become key. Who knew the monks had so many things right? (Tom Freston, former CEO of Viacom and MTV Networks)

The Business Secrets of Trappist Monks is sure to be a business classic. It is a compelling and important tutorial on how to build authentically sustainable companies. August Turak's stories and examples are magical, yet the philosophical ideas they're founded on resonate with truth. It is a must read for the thoughtful executive. (Mark Booth, former chairman and CEO of NetJets Europe)

This is an eloquent, powerful book that accentuates the power of trust and the surprising gift that selfless leadership can bring to institutions. August Turak expertly shows how Trappist ways and wisdom connect character to the art of leadership, and how this unique approach can be helpful in our current thinking about leadership, business, and the meaning of our own lives. New insights and ancient truth blend in this remarkable book by a remarkable teacher. (Will Willimon, Duke Divinity School and author of Sinning Like a Christian: A New Look at the Seven Deadly Sins)

This is an inspirational book that presents a different view of business leadership and success that is important for serious and aspiring business leaders to take into consideration. August Turak also has a narrative voice that is both genuine and authoritative, and he has thoughtfully organized 'take-aways' throughout the book into lists that will be extremely useful for readers. (Lindsay Thompson, John Hopkins University- Carey Business School)

The book is an inspirational, provocative and ground-breaking tour-de-force and should be required reading for business leaders and in business schools. (Ray Williams Psychology Today)

Part philosophy, part economics, and very much about service The Business Secrets of the Trappist Monks will guide you to a better understanding of why you do what you do. (1-800-CEO-Read)

A quite serious and often fascinating read. (Chief Executive)

Turak has done an excellent job of identifying and articulating the homegrown and unique business model the Trappists use… interesting and unique… It's a book worth reading. (Cistercian Studies Quarterly)

About the Author
After a corporate career with companies like MTV, August Turak founded two highly successful software businesses, Raleigh Group International (RGI) and Elsinore Technologies. He received a B.A. in history from the University of Pittsburgh and is pursuing a Masters in theology at St. John's University, Minnesota. Turak's essay "Brother John" received the grand prize in the John Templeton Foundation's Power of Purpose essay contest. He has been featured in the Wall Street Journal, Fast Company, Selling Magazine, the New York Times, and Business Week, and is a popular leadership contributor at Forbes.com. His website is www.augustturak.com.

Most helpful customer reviews

34 of 34 people found the following review helpful.
An amazing mix of spirituality, psychology, and business
By Kenny Felder
It's hard to describe this book because I've never read another like it. It's deeply personal and completely universal; it's nuts-and-bolts business insight and it's profound spiritual insight; it's ancient philosophy told through the lens of "Star Wars" and "The Devil Wears Prada."

The best review I can give, I think, is a direct quote. Watch how he starts with a fairly commonplace psychological insight about money, moves to a concrete business application that most businesses could benefit from tremendously, twists it into an unusual look at the entertainment industry, and then (as he would say) "transcends" all that as he brings it back to his overarching theme of selflessness.

---------------
One of the most useful things I learned as a sales and marketing executive is the concept of "dollar votes"...if we really want to understand what motivates people, we should look at how people actually spend their money...I may argue quite persuasively that helping others is my top priority, but if I donate far more money to my favorite casino than to my favorite charity, I shouldn't be surprised if you remain unconvinced.

In my own company, after some disappointing forays with surveys, we dispensed with this type of market research altogether. Instead, whenever we had a new product idea, we would presell the product into our customer base with a discount for prerelease software. Only if our customers were willing to pony up cold, hard cash would we in turn invest in full-blown product development. If the requisite number of sales was not forthcoming, we gave refunds to the disappointed few and headed back to the drawing board. This approach guaranteed that every product we introduced had a market, and it was actually less expensive and time consuming than traditional forms of market research.

When we look at the world through the lens of dollar votes, we see an almost insatiable human demand for stories. Books, movies, and television are multibillion-dollar industries...The fact that we spend so much money on stories--in good times and bad--demonstrates that stories offer something we really want, not just something we like to say we want.

And what most stories offer is the vicarious experience of transformation. We all learned in English 101 that in every compelling story, the main character must be transformed over the arc of the story...According to dollar votes, the fact that we spend so much time and money watching others being transformed proves that it is this essential transformation from selfishness to selflessness that we all really want. Of course the tragic part of this analysis is that for most of us, this urge toward transformation remains vicarious...deep inside we realize that just as we can't pay someone else to go to the gym, we can't be transformed secondhand either.

0 of 0 people found the following review helpful.
Work is a spiritual endeavor.
By Pete Reilly, Author of A Path With Heart
At its heart work is a spiritual endeavor. Most of us spend much of our waking lives at work. It's a place where our values and beliefs are revealed and manifested, for no matter how hard we may try to compartmentalize our work lives from our home lives, in truth we have only one life...and one self. August Turak takes us far beyond the typical leadership tips and techniques so common in business books to examine the inner currents of successful organizations.

At the heart of this book is a deep rooted belief that life, and therefore work, is a spiritual quest, a yearning for transformation. Turak shows how "transformational organizations" ...those that pursue service and selflessness as their main goal, reap success as a by-product. By embodying our values and beliefs and pursuing spiritual growth...and selflessness, we can find meaning in our lives and also professional success.

"The Business Secrets of the Trappist Monks" is insightful and transformative. Turak's amazing life story takes us behind the scenes at Mepkin Abbey, MTV, and his two highly successful software businesses, Raleigh Group International (RGI) and Elsinore Technologies to see how service and selflessness can thrive in the marketplace and bring meaning to our personal lives as well.

2 of 2 people found the following review helpful.
Invaluable Advice
By Frank Sonnenberg
Have you ever wondered, What's the secret to success in business and life in general? If so, read this book. It's AWESOME!

Business Secrets of the Trappist Monks is not your run-of-the-mill business book. August Turk is a highly successful executive and entrepreneur who was a frequent monastic guest and worked alongside the Trappist monks of Mepkin Abbey for 17 years. This book applies the lessons he learned on how to succeed in business and in life.

The message of the book is fascinating and the examples are poignant. While the solutions may seem counterintuitive, I believe August is spot-on.

Business Secrets of the Trappist Monks provides real-world advice. August offers examples from diverse organizations -- such as the monks of Mepkin Abbey; Microsoft (where he served as a consultant during its early years); a major software organization (that he founded); and, believe it or not, The Devil Wears Prada -- to highlight why authenticity, service, and selflessness are winning ingredients for success.

The book is practical, well written, and refreshing. I believe it should be read by leaders from all walks of life and made must-reading for every MBA student. Leaders of tomorrow who heed his advice will be well rewarded. His advice is invaluable.

Frank Sonnenberg
Author, Managing with a Conscience

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Minggu, 25 Januari 2015

[R655.Ebook] Fee Download Runaways, by Elizabeth Swados

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Runaways, by Elizabeth Swados

  • Sales Rank: #9890391 in Books
  • Published on: 1978
  • Binding: Paperback
  • 72 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
well worth the money and time for monologue choices. Real life tragedy
By heidi schlossberg
This is a profound and sad screenplay about kids who are homeless or abused. This is a great play for monologues for teens.. its a tough read.

0 of 0 people found the following review helpful.
Runaways, the script
By Margaret Kacsmar
I was pleasantly surprised to find that this even existed! It was exactly as described, and arrived even sooner than expected.

0 of 0 people found the following review helpful.
Five Stars
By Jordan S Beswick
Brilliant.

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Kamis, 22 Januari 2015

[N215.Ebook] PDF Ebook Designated Targets (Axis of Time), by John Birmingham

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Designated Targets (Axis of Time), by John Birmingham

It’s World War II and the A-bomb is here to stay.
The only question: Who’s going to drop it first?

The Battle of Midway takes on a whole new dimension with the sudden appearance of a U.S.-led naval task force from the twenty-first century, the result of a botched military experiment. State-of-the-art warships are scattered across the Pacific, armed to the teeth with the latest instruments of mass destruction.

Nuclear warheads, rocket-propelled grenades, AK-47s, computer-guided missiles–all bets are off as the major powers of 1942 scramble to be the first to wield the weapons of tomorrow against their enemies. The whole world now knows of the Allied victory in 1945, and the collapse of communism decades later. But that was the first time around.

With the benefit of their newly acquired knowledge, Stalin and Hitler rapidly change strategies. A Russian-German ceasefire leaves the F�hrer free to bring the full weight of his vaunted Nazi war machine down on England, while in the Pacific, Japan launches an invasion of Australia, and Admiral Yamamoto schemes to seize an even greater prize . . . Hawaii.

Even in the United States the newcomers from the future are greeted with a combination of enthusiasm and fear. Suspicion leads to hatred and erupts into violence.

Suddenly it’s a whole new war, with high-tech, high-stakes international manipulations from Tokyo to D.C. to the Kremlin. As the world trembles on the brink of annihilation, Churchill, Stalin, Roosevelt, Hitler, and Tojo confront extreme choices and a future rife with possibilities–all of them apocalyptic.


From the Trade Paperback edition.

  • Sales Rank: #345900 in Books
  • Brand: Del Rey
  • Published on: 2006-12-26
  • Released on: 2006-12-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.91" h x .99" w x 4.18" l, .48 pounds
  • Binding: Mass Market Paperback
  • 448 pages
Features
  • Great product!

From Publishers Weekly
In Birmingham's worthy sequel to Weapons of Choice (2004), the world of the 1940s continues to struggle with the ramifications of the Transition: the intrusion into the middle of WWII by a 21st-century naval task force fighting the global war on terror. While the lion's share of the technological windfall falls into the laps of the U.S. and Great Britain, the Axis acquires enough to increase its deadliness exponentially. Furthermore, Hitler and Stalin make an uneasy peace as they unite to prevent both of their respective systems from being consigned to the ash heap of history, freeing German forces for a renewed invasion of England. The time-displaced warriors from 2021 find that their most implacable foe is not Nazi commando Otto Skorzeny but J. Edgar Hoover, furious at being "outed." The author doesn't make the mistake of pitting his protagonists against morons, and he rightly shows how improvements in command and control trump bigger and better guns. Entertaining cameos by Elvis, Marilyn Monroe and John F. Kennedy will delight the geek in all of us.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
Praise for Weapons of Choice
First book in the Axis of Time

“[A] weapons-grade military techno-thriller . . . It’s like a Clive Cussler novel fell into a transporter beam with a Stephen Ambrose history, and they came out all fused together.”
–Time

“High-tech intrigue and suspense similar to the works of Tom Clancy.”
–Library Journal


From the Trade Paperback edition.

Excerpt. � Reprinted by permission. All rights reserved.
TUPELO, MISSISSIPPI

Lordy, thought the boy. It’s a miracle for sure.

He was seven and a half years old—the man of the house, really, what with his daddy being away in Como, and he had never seen anything like the fearful wonder of the newly chiseled monument.

here lies jesse garon presley.

deeply beloved of his mother gladys, father vernon,

and brother elvis.

a soul so pure, the good lord could not bear

to be apart from him.

born jan. 8, 1935,

taken unto god jan. 8, 1935.

Despite the unseasonable heat of the evening, gooseflesh ran up his thin arms as he read the words again. Whippoorwills and crickets trilled their amazement in the sweet, warm air. With a pounding heart, the boy inched forward and muttered hoarsely, “Jesse, are you here?”

The stone was cut from blindingly white marble that fairly glowed in the setting sun. The inscription had been inlaid with real gold—he was almost certain of that. He ran his fingers over the words and the cold, hard stone, as if afraid to discover that they weren’t real.

It must have cost a king’s ransom . . .

An enormous bunch of store-bought flowers had been placed upon a patch of freshly broken earth that still lay at the foot of the monument. Hundreds of tiny beads of water covered the petals and caught the last golden rays of daylight.

He dropped down on his knees as if he were in church and stared at the impossible vision for many minutes, heedless of the dirt he was getting on his old dungarees. He remained virtually motionless until one hand reached out and his fingers again brushed the surface of the headstone.

“Oh, my,” he whispered.

Then Elvis Aaron Presley leapt to his feet and ran so fast that he raised a trail of dust as he sprinted down the gravel lane, away from the pauper’s section of the Priceville Cemetery, a-hollerin’ for his mama.

“He’ll probably get his ass whupped, the poor little bastard.” Slim Jim Davidson smiled as he said it, peering over the sunglasses he had perched on his nose.

“Why?” asked the woman who was sitting next to him in the rear seat of the gaudy red Cadillac. You didn’t see babies like this every day. Slim Jim had seen to the detailing himself. The paint job, the bison leather seats, everything.

“For telling lies,” he said. “Headstones don’t just appear like that, you know. They’re gonna think he made it up, and when he won’t take it back, there’ll be hell to pay.”

The woman seemed to give the statement more thought than it was really due. “I suppose so,” she said after a few seconds.

Slim Jim could tell she didn’t approve. They were all the same, these people. They’d bomb an entire city into rubble without batting an eye, but they looked at you like you were some sort of hoodlum if you even suggested raising your hand against a snot-nosed kid. Or a smart-mouth dame, for that matter.

And this O’Brien, she was a helluva smart-mouth dame.

She’d kept her trap shut, though, while they’d been watching the Presley kid. In fact, she seemed to be fascinated by him. They’d been waiting in the Caddy up on Old Saltillo Road for nearly an hour before he showed. Long enough for Slim Jim to wonder if they were pissing their time up against a wall. But the kid did show, just as his cousin said he would. And he’d heard O’Brien’s stifled gasp when the small figure first appeared, walking out of a stand of trees about two hundred yards away.

“It’s him, all right,” she said. “Damned if it’s not.”

Slim Jim had grabbed the contract papers and made to get out of the car right then and there. He’d had enough of sitting still. His butt had fallen asleep, and he was downright bored.

But O’Brien shook her head. “Not here.”

He’d bristled at that. His temper had frayed during the long wait. Long enough even to make him feel some sympathy for the cops who’d had to stake him out once or twice. But he took her “advice” because it was always worth taking.

Her advice had cost him a goddamn packet, too, over the course of their relationship. But along the way, Slim Jim Davidson had learned that you had to spend money to make it. Problem was that up until recently, he didn’t have no money to spend. None of his own, anyway. And spending other people’s money had sent him to the road gangs.

Mississippi was a powerful reminder of those days. The air tasted the same as it had in Alabama, thick and sweet and tending toward rotten. The faces they’d driven past in town had brought back some unpleasant memories, too. Hard, lean faces with deep lines and dark pools for eyes. The sort of uncompromising faces a man might expect to see on Judgment Day. They’d sure looked that way to Slim Jim when they trooped in from the jury room.

Well, that felt like a thousand years ago. Now he could buy and sell that fucking jury. And the judge. And his crooked jailers. And the whole goddamned state of Alabama, if he felt like it.

Well, maybe not the whole state. But he was getting there. This Caddy was bigger and more comfortable than some of the flophouses he’d crashed in during the Depression. He had an apartment in an honest-to-goddamned brownstone overlooking Central Park back in New York, and a house designed by some faggot architect overlooking the beach at Santa Monica, out in L.A. He had stocks and bonds and a big wad of folding money he liked to carry in his new buffalo-hide wallet—just so’s he could pull it out and snap the crisp new bills between his fingers when he needed to remind himself that he wasn’t dreaming.

Hell, he was so rich now that when those C-notes lost their snap, he could give them away and get some new ones.

Not that he ever did, of course. Ms. O’Brien would kill him. And she was more than capable of it. No doubt about that.

She’d insisted that he pick up the Santa Monica house as a long-term investment, too, even though he thought it was kind of down-market, given his newly acquired status.

“You can stay at the Ambassador if you don’t like rubbing shoulders with your old cell mates down on the piers,” she’d said. “Believe me, Santa Monica will come back, and you need to diversify your asset base. Waterfront property is always a sure bet.”

Yes, indeed, and Slim Jim was fond of sure bets. After all, they’d made him richer than God. They’d also delivered him a conga line of horny babes, a small army of his own hired muscle, and the slightly scary Ms. O’Brien.

Thinking about the slightly scary Ms. O’Brien sitting next to him there in the Caddy, however, led naturally to thinking about the slightly scary Ms. O’Brien sliding her body over his in a king-sized hotel bed. But that was a dangerous line of thought, he knew. Because Ms. O’Brien wasn’t inclined to get anywhere near a bed with Slim Jim Davidson, naked or not.

He’d tried feeling her up once, and she’d nearly broken his arm for it. She’d snapped an excruciating wristlock on him without even breaking a sweat, no doubt a party trick she’d picked up back when she was a captain in the Eighty-second MEU. And she’d kept him locked up, gasping for breath and nearly fainting away, while she explained to him the facts of life:

One, she was his employee, not his girlfriend.

Two, she would be his employee only for as long as she needed to be, and she would never be his girlfriend.

Three, she could kick his scrawny ass black and blue without bothering to lace up her boots.

And four, she . . .

“Mr. Davidson?”

Slim Jim jumped, feeling guilty and worried that she might have figured out what he was thinking. But no, luckily she was just dragging him out of his slightly bored daze.

“Elvis has left the cemetery,” she announced. She said it in a singsong way, and it seemed to amuse her more than it should have. But Slim Jim had given up trying to figure her out.

“Let’s go over it one last time, just to be sure,” she said, pulling out a flexipad.

“Oh, please,” he begged. “Let’s not.”

O’Brien ignored him, and his shades suddenly flickered into life. Windows opened up on the lenses and seemed to float in the air in front of him. Some carried photographs of the boy they’d just seen. Others were full of words. Small words in large type. She’d learned not to burden him with too much text.

Bitch thinks she’s so goddamned smart . . .

Slim Jim sighed, and read through the briefing notes again. Some of his reluctance was for show, though. He never really got tired of the amazing gadgets these guys had brought with them.

“Elvis Aaron Presley, age eight and a half. Mother’s name, Gladys. Father’s name, Vernon,” he recited. “Dead brother, Jesse. Attends school at East Tupelo Consolidated. Father jailed for fraud. Asshole tried to ink a four-dollar check into forty . . .”

O’Brien shot him a warning look, but he hid behind the shades, pretending he couldn’t see her.

“Daddy’s out now, away in Como, Mississippi, building a POW camp for the government. Mama takes in sewing when she can get it. Local yokels call ’em white trash behind their backs . . .”

Slim Jim laughed out loud, glancing out across the ragged fields of corn and soybean that stretched between the cemetery and the edge of the town. “Ha! There’s a fucking pot calling a kettle black if I ever—”

“The notes, Mr. Davidson. Just review the notes,” said O’Brien.

Slim Jim returned to the readout for what felt like the hundredth time. He’d heard about some big-time grifters who worked like this. Getting so far inside the heads of their marks that they knew what was going on in there before the chumps realized it themselves. He could sort of see the point.

O’Brien had helped him close some amazing deals these last few months. But damn, it was hard work. Nevertheless, he plowed on, reciting most of the notes from memory even though the words still hung there in front of him.

“Gladys drinks in private. She finds her comfort in the church. Her first love was dance, her second music. But she’s kind of a fat bitch now so . . . Sorry! Sorry . . . She gets around in bare feet and old socks so her kid can have shoes. Elvis, he’s aware of his family’s low standing. It eats him up and he wants to rescue them. It always tickles him when his mama says she’s proud of him.”

In spite of himself, Slim Jim couldn’t help but warm to the little prick. They’d listened to his music all the way down here, and you had to admit, the kid had a gift. Or would have.

Then again, maybe he wouldn’t. If Slim Jim bought him a ticket out of Tupelo now, gave him enough money for a comfortable life, maybe the kid would never sing a song worth a tinker’s crap. Not that the thought really bothered him. Those songs were recorded by an Elvis from another time. No, this was all about who was gonna get paid for them.

Not some asshole called Colonel Tom Parker, you could bet on that.

Nope. “Slim Jim Enterprises” would be latching itself on to this particular money tit. And if the kid never became an actual recording star, just because he grew up rich instead of poor, well, who gave a damn? Slim Jim had grown up in a town a lot like this, with a daddy a lot like Vernon. And if some asshole had turned up on their doorstep, offering to buy them out of poverty, Daddy would have been trampled to death by the entire Davidson clan rushing to sign on the dotted line. And to hell with the consequences.

Slim Jim was only vaguely aware of the deepening dusk as he sat in the Caddy, chanting his way through O’Brien’s notes like some kind of mad priest. Yeah, Tupelo is a lot like home. Besides the two main roads in the center of town, every street was a strip of dirt or gravel. Clouds of dust would rise from them in summer. They’d turn into rivers of mud during the spring rains. Most folks would have worked the Roosevelt program during the Depression, cutting brush, fixing roads. Most, like Gladys Presley, wouldn’t ask for handouts, but would accept what was offered. The men would all be factory workers and sharecroppers.

Now most of them would be in the army or working in the war industries. Poor but honest, they’d think of themselves. Screwed and stupid was how Slim Jim would have put it.

A guy like Vernon Presley he could understand. He knew the type. He’d have had good intentions, but not enough character to see them through. Slim Jim wished they could deal with Vernon rather than Gladys. It was a laydown that they could sneak a signature out of old Vern, just for a crate of beer and a hundred bucks.

But O’Brien had been a real ballbreaker on that particular subject, even more so than usual. There’d be no grifting the Presley family. They’d get the industry standard percentage, and Slim Jim would take the industry standard cut. It was a shitload of money to be tossing away to a bunch of dumbass crackers, at least to his way of thinking. But she’d given him that stone face of hers again, and he’d buckled. She was a scary bitch—and bottom line, he was rich because of it.

“And then Vernon told Elvis he was responsible for his mama’s ill health because of the bad birth . . . ,” he continued, only half his mind on the task.

“No,” O’Brien said. “We don’t know for sure that that’s happened yet, so it’s better not to bring it up. But it’s supposed to happen around about now, so just keep it in mind.”

“Right.” He nodded. “So are we gonna fuck this puppy or what?”

His lawyer rolled her eyes, but she leaned forward to tap on the glass partition that separated them from the driver.

“Okay,” she said, raising her voice. “Let’s roll.”

It was a short drive from Priceville Cemetery to East Tupelo, a pissant little rats’ nest of meandering unpaved streets running down off the Old Saltillo Road. A couple of creeks, two sets of railroad tracks, some open fields, and a whole world of dreams separated the hamlet’s beaten-down inhabitants from the good people of Tupelo proper. Slim Jim wasn’t bothered none driving into such a place.

Nor, he noticed, was Ms. O’Brien. He figured it was just another one of those things about your dames from the future. Not much seemed to rattle them, unless you tried to cop a feel without being invited.

“That’s it,” she announced.

She indicated a small wooden frame house, a “shotgun shack,” they called them. This one stood about a hundred yards up the street they’d just entered. Dusk was full upon them now, and the car’s headlights lanced through the gloom and the dust and pollen that always seemed to hang in the air, even at this time of year.

“You sure you don’t want to do the talking?” he asked, suddenly nervous for no good reason. That wasn’t like him at all.

“You’ll be fine,” O’Brien assured him. “It’s just business. Be sure and treat them with respect.”

“But . . .”

“No buts. You’ll nail it. I’ve never known such a rolled gold bullshit artist. If you’d been born any luckier, you could have been a senator or a televangelist.”

Slim Jim wasn’t sure what she meant by that, but she didn’t seem to mean it as a compliment.

His driver pulled over into the gutter. As soon as he stepped out, the smell took him by the throat. Sour sweat. Outdoor toilets. Woodsmoke. Corn bread, grits, and boiled spuds. The smell of his childhood.

He could tell, without needing to check, that dozens of pairs of eyes had settled on the back of his newly cut, lightweight suit. Some of the bolder folks would have wandered right out onto their verandas—an awful fancy name for a thin porch made of raw pine boards, roofed in by scraps of tin, and supported at each corner by sawed-off bits of two-by-four. Others would be hiding in their front rooms, twitching aside sun-faded curtains, if they had any, peering out suspiciously at the Presleys’ unexplained visitors.

And if they thought he was something, he wondered what sort of ripple went up and down when Ms. O’Brien emerged from the car. East Tupelo wasn’t used to women like that, not yet. Hell, neither was the rest of America. That skirt of hers would surely send tongues wagging, showing off so much leg above the knee as it did.

But it was time to get into character, so he pasted a harmless, well- meaning expression on his dial. A neutral grin that said to the world he was hoping he’d found the right address.

Slim Jim took in the details of the kid’s house in one quick glance. Again, he didn’t need to stare. It was all old news to him. There’d be only two rooms running off one corridor. You could shoot a gun clean through without hitting anything, hence the name. The kid would probably sleep where Slim Jim himself had for years, on an old sofa in the front room—which did double duty as a kitchen, and a parlor when guests came a-calling. Every stick of furniture would be someone else’s cast-offs, but it’d most likely be clean. Gladys would make sure of that.

The water would be pumped by hand, from a well out in the backyard. There’d be bare boards on the floor and walls. No little comforts or luxuries. Not a blade of grass grew in the brown dirt that substituted for a front yard. Even in the gloom, he recognized the scratch marks of a homemade dogwood broom in the hard-packed earth, and the telltale prints of chicken feet. He bit down on a sigh. It was going to be like a goddamned oven in there.

He really missed his brownstone.


From the Trade Paperback edition.

Most helpful customer reviews

43 of 44 people found the following review helpful.
Great sequel!
By Tim F. Martin
_Designated Targets_ by John Birmingham is the excellent follow up to his earlier alternate history science fiction novel, _Weapons of Choice_, a novel that began with the basic premise that a U.S.-led multinational naval task force from the 21st century is accidentally and suddenly transported to the Pacific right in the middle of the Battle of Midway.

As most of this fleet came into the possession of the Allied countries (basically the United States), one might think that the advanced weaponry, ships, and trained personnel from the year 2021 would enable the Allied powers to quickly defeat the Axis, as certainly anything they had could outclass anything Germany and Japan possessed in 1942. Quite the opposite occurs, as the Axis, at the heights of its power at the time the future fleet arrived (an event now referred to as the Transition), redoubles its efforts to conquer the world, benefiting from it own captured weapons, ships, and personnel from the future as well as the wealth of information in the computer databases of those ships, decades of analysis and detailed histories of the Second World War and its aftermath, revealing the results of battles, the identities of spies and traitors, failed weapon systems, successful weapon systems that should have been better supported, etc. The Soviet Union and Germany quickly declare a ceasefire with one another (Stalin thankful for the break from the Nazi onslaught and eager to begin work to avoid being the target of later German aggression as well as seeking to avoid eventual Soviet defeat in the Cold War by the United States) and both Germany and Japan rapidly develop and execute radically different plans from what they did in our timeline.

The conflict in the book is not just military in nature, as the officers, sailors, marines, and others of the multinational task force continually come into conflict with the culture and politics of the era. Admiral Phillip Kolhammer, as Task Force Commander, is forced into politics and administration in areas and on a scale he never dreamed possible as he became the governor of a new district set up in California to house the men and women of his task force, the Special Administrative Zone (or just the "Zone"), an area that not only allowed Kolhammer's people to train contemporary personnel and set up factories to rapidly accelerate the advance of contemporary technology, gearing up to provide everything from modern medicine and medical techniques to assault rifles to missiles to jet aircraft but also to be a region of the country that was under 2021 law, not 1942 law. The latter point became particularly important in the book as while political allies, personal friendships, and romantic relationships developed between "twenty-firsts" (people from the future) and "'temps" (contemporary people; twenty-first term for people not from the future), enmities developed too. Some saw political threats with the rising importance of Kolhammer and his other officers in the Roosevelt Administration, his clashes with FBI director J. Edgar Hoover, or the threat posed to some corporations that were now producing suddenly woefully obsolete items, like piston-engine fighters. Others regarded the culture of the Zone as a threat, seeing it as morally degenerate and reprehensible due to their contemporary views on homosexuality and premarital sex (or at least with their assumptions about what a twenty-first did in the bedroom). Still others didn't like the mix of races and genders in the fleet, nor Kolhammer's and others refusal to recognize segregation as well as obvious and not so obvious aid to support equality for African-Americans and Hispanic-Americans, nor his vehement opposition to Japanese internment (or of internment for those Japanese and German soldiers serving in the fleet, seen by opponents to Kolhammer instead as dangerous "enemy aliens"). While Kolhammer and others became heroes to some, leading several outside the Zone to begin tenuous steps towards ending racial segregation and gender bias, others saw him as a great threat. According to one of the characters in the book, these enemies saw the future (in the Zone) and it scared them.

The action in the book is worldwide, with considerable parts of the book taking place in the United Kingdom, Germany, Hawaii, and Australia as well as the mainland United States.

I found the many ideas explored along the way very interesting, such as the nature of copyright and patent protection for material from the future for instance. Who owns the rights to books, music, and movies say from the 1980s or the 2010s; if the company exists in 1942 that is one thing, but what if no identifiable ancestor to the copyright or patent holder exists? What happens to famous couples, fated in the other timeline to meet, now reading about how they met; do they meet at all now? Or political chances for people reading that one day they will become president?

I also enjoyed the large cast of major and minor characters that were celebrities, some pretty obvious choices, like General MacArthur, while others quite surprising.

I have no real complaints about the book, though I felt some scenes were a bit gory, the description of the deaths of some individuals a bit too graphic for my tastes. Overall I found the pace quite brisk and the story engaging and exciting; it kept me up the last several nights ("just ten more pages" I would say to myself, again and again before going to bed quite late). I look forward to the next book.

42 of 47 people found the following review helpful.
No sophmore slump
By MarkK
As an avid fan of the first volume of the "Axis of Time" series, I was among the many fans looking forward eagerly to the release of the next installment. For me this book was well worth the wait, as John Birmingham avoids the middle-volume slump all too typical of trilogies. Picking up the action four months after the end of the first book, he shows how the impact of the accidental travelers from the future has dramatically changed the course of history - the Japanese have invaded Australia, the Germans and the Soviets have signed a cease-fire, and a vast industrial park is blossoming on the outskirts of Los Angeles as the Allies begin to leapfrog their technological development.

What makes this book so enjoyable for me is Birmingham's imaginativeness. After reading the first volume, I wondered where he would take events from there. The answer is in surprising directions. On one level, it involves posing intriguing questions: What would the Japanese fighting World War II do with knowledge from the future? The Germans? The Americans? Birmingham's answers break away from the predominantly military focus of the first volume to areas that might be unexpected but entirely plausible. The result makes for an enormously entertaining read and one that kept me enthralled to the last page. The only problem I had when I finished was the same that many others have expressed - the prospect of having to wait for the final volume of the series to be written. As frustrating as it may be, I'm willing to wait as long as it takes for Birmingham to produce a conclusion so satisfying.

22 of 26 people found the following review helpful.
On a hat-trick
By John Byron
John Birmingham is a bastard.

I spotted Designated Targets just before its official release at a bookshop in Brisbane airport, appropriately enough on my way to a meeting in the Forgan Smith building at the University of Queensland (the building features prominently about mid-way through). I had thoroughly enjoyed Weapons of Choice: World War 2.1 (as it's subtitled down under), and had hoped for another good read - airport style - to keep me entertained in the downtime that you inevitably get in a busy week spent away from home on business.

Well, what happened was that 2.2 redefined my downtime over the next couple of days - 'downtime' was suddenly comprised of the compact slices of time where I tried to do all the trivial things not related to avidly reading this gripping yarn - work, sleep, drive, ablute, etc.

This wretched, brilliant book completely ruined that week, and for that I am deeply grateful to its stupidly talented author.

Designated Targets is absolutely great stuff - all of what we love and a bit more besides. Clever narrative, suspenseful design, well controlled scenario, thorough research, insightful invention, perceptive psychology, great dialogue, and terrific action. All in all, accursedly unputfckendownable.

Birmingham handles the action genre as an adept - he obviously reads widely in it, and has paid attention to a range of movie genres as well (westerns, war flicks, Hong Kong martial arts, gangster movies, Arnie, straight out action, etc.). Clearly he has also taken a lot of inspiration from the different strands of alternate history, speculative SF and psychodrama that populate contemporary culture, both written and cinematic.

There are amusing and perceptive commentaries on the past. Australian readers will enjoy the mischief of seeing the Brisbane Line become realised in policy, and Prime Minister John Curtin's relationship with MacArthur is well drawn, particularly read against John Edwards's recent book on the Labor war-time PM, as well as David Day's excellent biography. J. Edgar Hoover camping it up in a kimono is hilarious, but also a sobering embodiment of the righteous hypocrisy of censorious autocrats everywhere.

Much more chilling is the cool precision with which Birmingham imagines the treatment handed out by the totalitarian dictators to those that history has exposed as less-than-impeccably loyal to their doomed regimes. There is perhaps room for more serious contemplation about how the Allied powers would respond to the same phenomenon (what might be the fate of the teenaged Che Guevara, for instance?), although the angle about how a JFK handles his sudden advance celebrity is illuminating.

As for the warriors from the future, the speculations about their hardness and brutal pragmatism is clearly a reflection upon current trends and where they are taking us (the people from 2021 are, after all, either us or our children). Particularly poignant is the scene in which the post-postmodern rules of engagement make even the hard-ass Douglas MacArthur blanche.

On the upside, our 21C cousins have impeccable aesthetic sensibilities and wondrous design skills, manifest most droolingly in Birmingham's loving description of an achingly cool apartment conversion in Manhattan. I strongly suspect that he covets this sort of place somewhere deep in his soul, and why wouldn't you? I would not be surprised to read one day that - on the proceeds of the richly deserved film rights - he has found for his famous brown couch a gorgeous pad much like this one.

Birmingham has a lot more fun deploying names familiar to us from the allegedly real world, sometimes in apt ways - the spectacle of a soldier named Albrechtson going up against an SAS platoon consisting of the rest of the Australian conservatariat (think Bolt, Akerman, et al.) is hilarious.

Some characteristic Birmingham turns of phrase pop up - I'm thinking 'the horse they rode in on' from the epilogue of Leviathan. But his novel formulations are even better. Birmingham's baroque talent for gruesome description - utterly appropriate for this totally over-the-top genre - is at its best here: 'a blizzard of offal' is one of the choicest images I've come across in a good long while, although 'one of them flew apart into half-a-dozen flaming chunks of road kill' gives it a run for its money. Lovely stuff.

And in amongst all this blokey carnage and gee-wizz technoporn is a keenly observed conjecture about how clashes of time and culture might play out; how different kinds of people will respond to the same existential provocation; how contortions of narrative fabric reveal the ways in which we construct our world around ourselves; and how different people are differentially equipped to adapt to radical change.

No doubt Birmingham would deny putting this much thought into the things that fill the interstices between the main narrative elements, but it's all there regardless - this sort of sub-dramatic contemplation is unavoidable in a longish character-driven narrative of this quality. You just can't write this well and be this smart without getting into the more subtle stuff. Birmingham's people think about their situation, they react and respond, they cope or freak out, they take advantage or take responsibility, they keep their heads down or they step up. Designated Targets is an airport blockbuster, to be sure, and it is fabulously successful on that level. But there's plenty more there for the taking if you want it, although none of it gets in the way of the central driving narrative. What more can a reader want?

This follow-up to a highly original and entertaining first instalment is a bloody good job. Of course it's a mid-stream book - I cannot understand people whingeing that book 2 in a trilogy turns out to be, um, book 2 in a trilogy, or that it might prove useful to have read 2.1 before reading 2.2 (I mean, they're numbered and everything, to help us out). But that only means that we have a fabulous crunching crescendo to look forward to in the next instalment. And won't the movie be cool!

In summary, get your head into it. It's a great yarn built on a brilliant premise that provokes some intriguing ideas. You can't ask for more than that.

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Rabu, 21 Januari 2015

[D426.Ebook] Fee Download Introducing ZBrush 3rd Edition, by Eric Keller

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Introducing ZBrush 3rd Edition, by Eric Keller

Learn ZBrush inside and out with this updated new edition

Get totally comfortable sculpting in a digital environment with the latest edition of this bestselling beginner's guide to ZBrush. Fully updated for the newest version of the software, ZBrush 4R3, this book dispels any fears you might have about the difficulty of using ZBrush and soon has you creating realistic, cartoon, and organic models with flair. Learn all the essentials, as you complete fun tutorials on painting, meshes, organic scripting, hard surface sculpting, lighting, rendering, and more.

  • Introduces you to ZBrush, the sculpting software that lets you create digital art with a fine-art feel, which you can transfer into Maya or other 3D applications
  • Covers painting, meshes, organic sculpting, hard surface sculpting, textures, lighting, rendering, working with other 3D applications, and scripting
  • Walks you through a series of fun and engaging tutorials where you can start creating your own work, including human, cartoon, and organic models
  • Fully updated for the newest version of ZBrush, ZBrush 4R3, including full coverage of its robust rendering tools
  • Includes a DVD with helpful video examples and files to help you complete the tutorials

Design remarkably realistic creatures, people, and objects with ZBrush and the new edition of this top-selling guide.

The DVD is not included as part of the e-book file, but is available for download after purchase.

  • Sales Rank: #713381 in Books
  • Brand: Brand: Sybex
  • Published on: 2012-06-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .95" w x 7.50" l, 2.35 pounds
  • Binding: Paperback
  • 528 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

2 of 2 people found the following review helpful.
and version history vs the instructional software is super important. Ensure that you are working with the ...
By Robert Gray
ZBrush is a very difficult program to crack into, and version history vs the instructional software is super important. Ensure that you are working with the version of ZBrush that the book is for, otherwise you may find yourself hitting a couple of snags frequently. The book is very wordy and technical though it is written for beginners. I haven't really found a better publication for learning ZBrush thus far. This will definitely teach you how to use the program, but just be prepared for a steap learning curve if you are unfamiliar with it.

1 of 1 people found the following review helpful.
Good, but not as focused as it could be
By J. Hall
This book does effectively introduce Zbrush. However, I felt that the book gives equal time to features that a novice like myself should not touch or even need until later. Not every Zbrush menu item is equally important. I got bored looking at advanced features, and skipped parts that I had to review later. I resorted to an internet search to learn the Remesh tool.

Yes, this is a good book, but ... the core of what you need to know and use on a regular basis is scattered a bit throughout the book. Too scattered. You can easily get bored and lost trying to find a specific feature in whatever advanced example the author has hidden it in. Zbrush is really ... overall ... not that hard. Hope that helps.

Bottom line, yes, the book is good, but you will need the Pixologic "Introducing Zbrush" guide off the internet, and time with a few tutorial sites as well.

Maybe what I really need was "Zbrush for Dummies", but now I am good. more or less.

2 of 2 people found the following review helpful.
Should be the official Pixologic Training Compendium
By Amazon Customer
Zbrush is a very complicated yet sickeningly simple program to use. However that's a double edged sword, this book breaks it down so quickly. The first time I had opened Zbrush prior to reading this book I was stuck and never even entered Sculpt mode, however 40 pages into this book I was able to Rotate, Scale, and Sculpt in just under an hour. I can't say enough about how great this book is. I have learned more from this book single handedly than any user tutorial on the internet or books that I'v purchased. My end goal was to make a movie, I spent years learning 3ds Max only to turn around and use this book and easily pass my previous limitations in a single week.

So botttom Line, you wanna learn Zbrush? Get this book. Start here THEN hit up Pixologics website.

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Jumat, 16 Januari 2015

[W252.Ebook] Ebook Free Understanding and Using English Grammar, Volume B, with Essential Online Resources (5th Edition), by Betty S Azar, Stacy A. Hagen

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Understanding and Using English Grammar, Volume B, with Essential Online Resources (5th Edition), by Betty S Azar, Stacy A. Hagen

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Understanding and Using English Grammar, Volume B, with Essential Online Resources (5th Edition), by Betty S Azar, Stacy A. Hagen

For nearly forty years, Understanding and Using English Grammar has been the go-to grammar resource for students and teachers alike. Its time-tested approach blends direct grammar instruction with carefully sequenced practice to develop all language skills.


New to This Edition

  • Pretests at the start of each chapter enable learners to check what they already know.
  • Updated grammar charts reflect current usage and highlight differences between written and spoken English.
  • A variety of high-interest readings include reviews, articles on current topics, and blogs that focus on student success.
  • Additional incremental practice helps learners better grasp concepts, while thematic exercises and integrated tasks offer more contextualized language use.
  • Step-by-step writing activities are supported by writing tips and pre-writing and editing tasks.
  • New Essential Online Resources include Student Book audio, Student Book answer key, Grammar Coach videos, and self-assessments.

  • Sales Rank: #51649 in Books
  • Published on: 2017-01-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.80" h x .40" w x 7.90" l, .0 pounds
  • Binding: Paperback

From the Back Cover

For nearly forty years, Understanding and Using English Grammar has been the go-to grammar resource for students and teachers alike. Its time-tested approach blends direct grammar instruction with carefully sequenced practice to develop all language skills.


New to This Edition

  • Pretests at the start of each chapter enable learners to check what they already know.
  • Updated grammar charts reflect current usage and highlight differences between written and spoken English.
  • A variety of high-interest readings include reviews, articles on current topics, and blogs that focus on student success.
  • Additional incremental practice helps learners better grasp concepts, while thematic exercises and integrated tasks offer more contextualized language use.
  • Step-by-step writing activities are supported by writing tips and pre-writing and editing tasks.
  • New Essential Online Resources include Student Book audio, Student Book answer key, Grammar Coach videos, and self-assessments.

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Kamis, 15 Januari 2015

[I785.Ebook] Get Free Ebook Athletic Body in Balance, by Gray Cook

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Athletic Body in Balance, by Gray Cook


Great athletes make difficult moves look effortless with a combination of skill, strength, and balance. Traditional conditioning builds a fitness base, but modern sports training takes into account athletic movement patterns. Athletic Body in Balance is the first guide of its kind to show you how to train for smooth, fluid movement and prevent muscle imbalances, mobility restrictions, stability problems, and injuries.

Physical therapist and sports conditioning expert Gray Cook has proven the effectiveness of his approach through the performances of athletes in the NFL, NBA, NHL, WNBA, and Reebok� University's sports training system. Cook's methods will help you identify functional weaknesses; correct imbalances; explore your potential; and refine sport-specific movement skills such as jumping, kicking, cutting, and turning. You will see where conditioning is breaking down and how to get your body back on track.

Whereas other books concentrate on maximizing your strengths, Athletic Body in Balance focuses on exposing and overcoming your weaknesses to form a foundation for long-term training gains. Learn how to maintain what you gain and build on your improvements. Make this comprehensive assessment tool your training guide. Prepare and repair your body for ultimate athletic performance with Athletic Body in Balance.

  • Sales Rank: #65653 in Books
  • Brand: Power Systems
  • Model: 9780736042284
  • Published on: 2003-05-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.10" h x .61" w x 8.50" l, 1.00 pounds
  • Binding: Paperback
  • 232 pages
Features
  • Author(s): Gray Cook
  • Published: 5-5-2003
  • SHK01135

About the Author


Gray Cook is a physical therapist, board certified in orthopedics. He also is a certified strength coach with experience in several sports at the youth, college, and professional levels. Cook is a nationally recognized lecturer and consultant to the NFL, NBA, NHL, and WNBA as well as numerous college sports medicine and conditioning facilities. His innovative research and applied work are found in many rehabilitation and conditioning publications.

Cook is the director of orthopedic and sports physical therapy at Dunn, Cook & Associates. He also serves as the creative director of sport-specific training for Reebok� and is Reebok's� first master coach.

Gray Cook received his graduate degree in physical therapy education at the University of Miami School of Medicine with a focus on orthopedics and sports rehabilitation and research in motor learning. Cook is a faculty member of the North American Sports Medicine Institute and is the codeveloper of the course titled Functional Exercise Training and Rehabilitation. He lives in his hometown of Danville, Virginia.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Athletic Body in Balance Review
By Renee Johnson-Allen
Well structured book with good information that can be applied to many athletes in different sports who may have weaknesses.

0 of 0 people found the following review helpful.
Five Stars
By Alan
Excellent practical book

14 of 14 people found the following review helpful.
Athletic Body in Balance
By CoffeeDad34
This is an OUTSTANDING complement to the DVD. I hoped that the DVD and book would not merely be redundant...and they aren't! The overlap to some extent so that you can get results with only one or the other, but I am VERY glad to have both. They fill in some gaps that each has.

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